20 South Street

20 South Street

a creative hub for collaboration

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& Working with Writers

Theatre Directing

a challenging show with a nuanced and powerful solo performance

A Voice by Anne Bertreau

FringeGuru

Theatre Directing

directed by Julia Stubbs and acted with a bruising physicality rarely seen this side of an old Sam Shepard play

In My Name by Steven Hevey

The New York Times

Theatre Directing

20 South Street deserve praise for bringing the work of award-winning Catalan writer Josep Maria Benet i Jornet to a wider audience

Desire by Josep Maria Benet i Jornet

Remotegoat

Working with Writers

Skybridge by Andrew Bruce-Lockhart

20 South Street

a creative hub for collaboration

The important thing is not to know where you are going, to be open to accidents.
That’s what keeps it fun.

Robert Lepage

20 South Street

20 South Street was founded in 2010 by Julia Stubbs, an emerging theatre director and experienced practitioner with a background in acting, new writing, classical texts, dramaturgy, devising, dialect and film.

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I’ve always felt that the scene is something that happens in the space between the actors.

Declan Donnellan

Theatre Directing

Julia’s process as a director has been greatly influenced by her work as an actor and through watching the productions of theatre companies such as Steppenwolf and Ex Machina, and so she works closely with actors to release the performer’s freedom on stage in order to create visceral, emotional characters.

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Tape by Stephen Belber

In My Name by Steven Hevey

Thin Toes by Laura Stevens

Remembering You like something I’d Forgotten by Louise Buchler

… writing stories about a black and white perspective is boring. It’s the grey that’s interesting.

Stephen Adly Guirgis

Working with Writers

As a director, Julia has had the great good fortune to work with a number of talented writers, either collaborating with them on a workshop or a rehearsed reading or on a full production.

The important thing is not to know where you are going, to be open to accidents.
That’s what keeps it fun.

20 South Street

I’ve always felt that the scene is something that happens in the space between the actors.

Theatre Directing

Tape by Stephen Belber

In My Name by Steven Hevey

Thin Toes by Laura Stevens

Remembering You like something I’d Forgotten by Louise Buchler

… writing stories about a black and white perspective is boring. It’s the grey that’s interesting.

Working with Writers

DUCKS by Hannah Kennedy

Pessoa. My-self. I. by Tim Stubbs Hughes

Skybridge by Andrew Bruce-Lockhart

A Voice by Anne Bertreau

Looking for a collaborator for your next project?

The important thing is not to know where you are going, to be open to accidents. That’s what keeps it fun.

20 South Street

I’ve always felt that the scene is something that happens in the space between the actors.

Theatre Directing

Tape by Stephen Belber

In My Name by Steven Hevey

Thin Toes by Laura Stevens

Remembering You like something I’d Forgotten by Louise Buchler

… writing stories about a black and white perspective is boring. It’s the grey that’s interesting.

Working with Writers

DUCKS by Hannah Kennedy

Pessoa. My-self. I. by Tim Stubbs Hughes

Skybridge by Andrew Bruce-Lockhart

A Voice by Anne Bertreau

Looking for a collaborator for your next project?

The important thing is not to know where you are going, to be open to accidents.
That’s what keeps it fun.